Between spaces and places landscapes of liminality in literature
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The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality. Ian Kinane is Lecturer in English Literature at the University of Roehampton, where he teaches popular genre fiction, postcolonial literatures, and children's literature. Ian is currently writing a monograph in British-Jamaica cultural relations in Ian Fleming's Jamaica-set James Bond novels, and he is the editor of the peer-review, open-access International Journal of James Bond Studies.
Cutting a path between place and space, the informed and probing essays in this extraordinary volume reach back to Arnold Van Gennep, Victor Turner and Yi fu Tuan in broadly based inquiry showing how edges are critical junctures of and overlapping borders of knowledge that includes folklore, literature, geography, gender, and visual media. Composed and presented with care, Landscapes of Liminality is a valuable contribution to a growing and compelling field of spatial studies.
It is much more than that. The volume is comprised of carefully selected chapters that in complementary ways force the reader to think through dominant notions of identity and space through the lens of the in-between, and back again: to deepen our understanding of the liminal dimensions of our times through fascinating case studies of cultural production, identity formation and spatial practice. Some scholars argue that ethnographers are present in their research, occupying a liminal state, regardless of their participant status.
A researcher, often unconsciously, selects what to observe, how to record observations and how to interpret observations based on personal reference points and experiences. For example, even in selecting what observations are interesting to record, the researcher must interpret and value the data available. To explore the liminal state of the researcher in relation to the culture, self-reflexivity and awareness are important tools to reveal researcher bias and interpretation. In higher education[ edit ] For many students, the process of starting university can be seen as a liminal space.
Student orientation often includes activities that act as a rite of passage , making the start of university as a significant period. This can be reinforced by the split of town and gown , where local communities and the student body maintain different traditions and codes of behaviour. This means that many university students are no longer seen as school children, but have not yet achieved the status of independent adults.
This creates an environment where risk-taking is balanced with safe spaces that allow students to try out new identities and new ways of being within a structure that provides meaning. Possession by A. Byatt describes how postmodern "Literary theory. In The Phantom Tollbooth , Milo enters "The Lands Beyond", a liminal place which explains its topsy-turvy nature , through a magical tollbooth.
When he finishes his quest, he returns, but changed, seeing the world differently. The giver of the tollbooth is never seen and name never known, and hence, also remains liminal. Liminality is a major theme in Offshore by Penelope Fitzgerald , in which the characters live between sea and land on docked boats, becoming liminal people. Saul Bellow 's "varied uses of liminality She can first be seen when she hides herself behind a large red curtain to read, closing herself off physically and existing in a paracosmic realm.
At Gateshead, Jane is noted to be set apart and on the outside of the family, putting her in a liminal space in which she neither belongs nor is completely cast away. The significance of liminality in the short stories is emphasised by conceptualising the existence of the characters as "living not here, not there — but somewhere in a space between here and there".
They alternate between hope and hopelessness. At times one forgets what they are even waiting for, and the other reminds him: "We are waiting for Godot". The identity of 'Godot' is never revealed, and perhaps the men do not know Godot's identity.
The men are trying to keep up their spirits as they wander the empty stage, waiting. Films and TV shows[ edit ] The Twilight Zone — is a US television anthology series that explores unusual situations between reality and the paranormal. The Terminal , is a US film in which the main character Viktor Navorski is trapped in a liminal space; since he can neither legally return to his home country Krakozhia nor enter the United States, he must remain in the airport terminal indefinitely until he finds a way out at the end of the film.
In the film Waking Life , about dreams, Aklilu Gebrewold talks about liminality. Primer , is a US science fiction film by Shane Carruth where the main characters set up their time travelling machine in a storage facility to ensure it will not be accidentally disturbed. The hallways of the storage facility are eerily unchanging and impersonal, in a sense depicted as outside of time, and could be considered a liminal space.
When the main characters are inside the time travel box, they are clearly in temporal liminality. Yet another example comes from Hayao Miyazaki's Princess Mononoke in which the Forest Spirit can only be killed while switching between its two forms. Photography and Internet culture[ edit ] Wikimedia Commons has media related to Liminal spaces. In the late s, a trend of images depicting so-called "liminal spaces" has surged in online art and photography communities, with the intent to convey "a sense of nostalgia, lostness, and uncertainty".
Additionally, it has been suggested that the liminal space phenomenon could represent a broader feeling of disorientation in modern society, explaining the usage of places that are common in childhood memories such as playgrounds or schools as reflective about the passage of time and the collective experience of growing older. Liminal Space is an album by American breakcore artist Xanopticon. Coil mention liminality throughout their works, most explicitly with the title of their song "Batwings A Limnal Hymn " sic from their album Musick to Play in the Dark Vol.
In the lyrics of French rock band Little Nemo 's song "A Day Out of Time", the idea of liminality is indirectly explored by describing a transitional moment before the returning of "the common worries". Liminoid experiences[ edit ] In , Victor Turner coined the term liminoid from the Greek word eidos, meaning "form or shape" [12] to refer to experiences that have characteristics of liminal experiences but are optional and do not involve a resolution of a personal crisis.
With the rise in industrialization and the emergence of leisure as an acceptable form of play separate from work, liminoid experiences have become much more common than liminal rites. The fading of liminal stages in exchange for liminoid experiences is marked by the shift in culture from tribal and agrarian to modern and industrial. In these societies, work and play are entirely separate whereas in more archaic societies, they are nearly indistinguishable.
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It capitalises on the extensive research that has already been undertaken in this area, and elaborates on the increasingly important and interrelated notion of liminality within contemporary discussions of spatial practice and theories of place. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design.
The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality. Cutting a path between place and space, the informed and probing essays in this extraordinary volume reach back to Arnold Van Gennep, Victor Turner and Yi fu Tuan in broadly based inquiry showing how edges are critical junctures of and overlapping borders of knowledge that includes folklore, literature, geography, gender, and visual media.
Composed and presented with care, Landscapes of Liminality is a valuable contribution to a growing and compelling field of spatial studies. This volume is not only an engaged application of the concept of liminality to issues of space, place and identity. It is much more than that. The volume is comprised of carefully selected chapters that in complementary ways force the reader to think through dominant notions of identity and space through the lens of the in-between, and back again: to deepen our understanding of the liminal dimensions of our times through fascinating case studies of cultural production, identity formation and spatial practice.
The book deserves a wide readership across the humanities and social sciences. Bringing together international scholarship, the book offers a broad range of cross-disciplinary approaches to theories of liminality including literary studies, cultural studies, human geography, social studies, and art and design. The volume offers a timely and fascinating intervention which will help in shaping current debates concerning landscape theory, spatial practice, and discussions of liminality.
Review: This is a bold and impressive collection of essays which deftly explores the complexity of liminality as a key concept across a range of disciplines. Landscapes of Liminality is a brilliant contribution to on-going debates in the new spatial studies and demonstrates the profound importance of the categories of space, place, and liminal identities to our understanding of culture and society.
In a set of insightful chapters it explores real and imagined topographies, spatialities and identities, liminal practices, and the spatial poetics of liminality. A useful theoretical and practical guide to liminal geographies. In this it provides a timely counterpoint to the many recent studies that derive their conceptions of liminality from postcolonial or poststructural conceptual frameworks, without losing sight of their concern with the political potentialities contained within liminal moments, transgressive identities, and heterotopic spaces of all kinds.
Cutting a path between place and space, the informed and probing essays in this extraordinary volume reach back to Arnold Van Gennep, Victor Turner and Yi fu Tuan in broadly based inquiry showing how edges are critical junctures of and overlapping borders of knowledge that includes folklore, literature, geography, gender, and visual media.
Composed and presented with care, Landscapes of Liminality is a valuable contribution to a growing and compelling field of spatial studies.
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